7/01/2020

Kawanable Kyōsai’s Night Parade of One Hundred Demons (1890)


Kawanable Kyōsai’s Night Parade of One Hundred Demons (1890)

Kawanabe Kyōsai (1831–1889), aka “The Demon of Painting”, composed this book of woodblock illustrations toward the end of a life that had begun during the Edo period, when Japan was still a feudal country, and ended in the midst of the Meiji period, when the country was transforming into a modern state.
Kyōsai was by all accounts the bad boy artist of his era. Considered both Japan’s first political caricaturist and one of the first authors of a manga magazine (Eshunbun Nipponchi), Kyōsai was arrested by the shogunate three times for his commitment to free expression. Also, he made no secret of his love for sake.
The Night Parade of One Hundred Demons (Hyakki Yagyō) is a thousand-plus-year-old Japanese folkloric tradition, in which a series of demons parades — or explodes — into the ordinary human world.
Kyōsai’s version was, according to the Metropolitan Museum of Art which houses the book, one of the artist’s most popular volumes, offering “a spectacular visual encyclopedia of supernatural creatures of premodern Japanese folklore”. (To see more examples of such supernatural creatures, also see our post on this Edo-era scroll.)
One can see why it was so popular. Narratively, it paves the way for the fantastic parade with two woodblocks: the first depicts a group of adults and children gathered around a coal fire to hear ghosts stories, the second a man (probably Kyōsai) setting down his calligraphy brush and extinguishing the lamp in preparation for the night in which the demons will appear.
kyosai one hundred demons
Adults and children huddle around a brazier, or coal fire, to hear ghost stories.
kyosai one hundred demons
A man, perhaps the artist himself, has set down his calligraphy brush and reaches to extinguish a lamp. Once darkness falls, the demons will appear.
The illustrations of the demons themselves are appropriately terrifying. Skeletal soldiers riding a human-headed horse; a frog-like demon dominating a badger; furry-headed demons and naked demons that look like the stuff of Jim Henson’s darkest nightmares — all parade across Kyōsai’s pages.
Each double-page of the book is arranged in such a way as to join up with the next, as though a continuous scroll is divided over the pages of a book. Though be aware that, of course, the book is bound on the right and so runs counter to the usual left-to-right of English-language books, and so also counter to how our gallery below is set up to display!
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6/30/2020

Ever wondered what planets would look like if they were as far away from Earth as the Moon?



US Architecture Agg Hab by i thee and Roundhouse Platform

I/thee builds prototype papier-mache home on Texas cattle farm

Nearly 300 pounds of paper was cast in large holes in the ground before being flipped over to create the Agg Hab prototype home on a Texas ranch, which the designers claim is one of the "world's largest, self-supporting, papier-mache structures."
US design-build studio I/thee and curatorial platform Roundhouse completed two structures called Agg Hab, short for Aggregate Habitat, on a cattle farm in Clarendon, Texas, as part of an artists' residency.
US Architecture Agg Hab by i thee and Roundhouse Platform
Large holes were burrowed nearly two metres deep into the ground to form casts for the papier-mache domes, which are made out of nearly 270 pounds worth of recycled paper and 200 litres of non-toxic glues.
The team said the protoype is an example of an eco-dwelling due to the materials used.
US Architecture Agg Hab by i thee and Roundhouse Platform
"Most of the project was made out of recycled papers, and the adhesives were all handmade by our team on-site using no animal products or toxins," I/thee co-founder Neal Lucas Hitch told Dezeen.
Once set, the paper shells are four millimeters thick, 20 feet long (six metres long) and eight feet (2.4 metres) wide. They are then flipped over to rest on top of the excavations to create enclosures that are nearly three metres tall.
US Architecture Agg Hab by i thee and Roundhouse Platform
"Together, the holes, matched with their respective shells, create a semi-subterranean house in which the negative and positive expressions of a series of excavated forms take on a reciprocal relationship to create multiple habitable spaces," the team added.
"The house stands unofficially as one the world's largest, self-supporting, papier-mache structures."
US Architecture Agg Hab by i thee and Roundhouse Platform
Agg Hab features a series of openings in the paper structures that form apertures to let in natural light and doorways to enter inside.
A slope is carved into the earth to create a ramp that leads inside the semi-subterranean structure.
US Architecture Agg Hab by i thee and Roundhouse Platform
"As light filters in through the openings, it reflects off the glossy paper, producing an almost ecclesiastical, yet somehow sublunary, environment," said the team.
"As people move into the spaces, they become enveloped in a primordial experience – as if gestating in the womb of mother earth or stowing away in the belly of a whale just below the surface of the ocean."
US Architecture Agg Hab by i thee and Roundhouse Platform
Agg Hab was created as part of this year's Oakes Creek Residency, which is held annually on a Texas ranch owned by cowboy-artist, John Robert Craft.
It is among a number of projects experimenting with building materials. Others include 3D-printed earth structures that Rael San Fratello created to demonstrate potential of mud architecture and Stephanie Chaltiel's emergency house prototype that is built with mud-spraying drones.
Photography is by Neal Lucas Hitch and Sarah Aziz
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Project credits:
Project team: Neal Lucas Hitch, Noémie Despland-Lichtert, Brendan Sullivan Shea, Martin Hitch, Kristina Fisher, Maxime Lefebvre, Julia Manaças, John Robert Craft, Charlotte CraftMore images and plans
US Architecture Agg Hab by i thee and Roundhouse Platform
US Architecture Agg Hab by i thee and Roundhouse Platform
US Architecture Agg Hab by i thee and Roundhouse Platform
US Architecture Agg Hab by i thee and Roundhouse Platform
US Architecture Agg Hab by i thee and Roundhouse Platform
US Architecture Agg Hab by i thee and Roundhouse Platform
US Architecture Agg Hab by i thee and Roundhouse Platform
US Architecture Agg Hab by i thee and Roundhouse Platform
US Architecture Agg Hab by i thee and Roundhouse Platform
US Architecture Agg Hab by i thee and Roundhouse Platform